Largely thanks to a big weather event which drowned our schedule, I finally got around to cutting a new showreel from productions we’re written up and filmed on the RED Epic over the last year years.

Due to tight budgets and in most cases, literally 48 hour turnaround, I do all my colour work in-camera, maxing out the contrast out to pop the colours, and riding the white balance.

Money and time also influences the way I have to shoot. I’d rather spend time composing lots of static shots than complex movements.

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